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Lisa Anyan Smith | Ph.D.

Lisa Anyan Smith
Ph.D.

In our society dominated by curated highlights and filtered realities, we face an invisible epidemic: the exhausting pressure to appear perfect. From social media feeds to workplace performance, vulnerability is frequently misconstrued as weakness, and emotional damage is treated as a personal failure. This obsession with a flawless exterior forces many individuals to internalize their struggles, burying their anxiety, depression, and trauma out of sight.

But what if the goal of emotional recovery isn’t to erase the past, but to illuminate it? A powerful antidote to this perfectionist struggle can be found in a centuries-old tradition from Japan: Kintsugi. Translating literally to “golden joinery”, Kintsugi is the delicate art of repairing broken ceramic vessels using a lacquer dusted with powdered gold, silver, or platinum. Rather than concealing the fractures, the artisan deliberately highlights them, rendering the breaks the most luminous and captivating feature of the object.

When applied to modern psychotherapy and emotional wellness, Kintsugi provides a transformative framework for psychological resilience. It offers a radical premise: you do not have to be unblemished to be whole, and your history of survival is precisely what makes you beautiful.

I recently completed a training to become a Certified Kintsugi Instructor, and I’d like to share some insights from my experience.

Healing takes time. Just as healing from trauma or grief often takes longer than we would like, repairing a mug or bowl is a slow process. Holding the pieces together after applying the gold lacquer was truly an exercise in patience. More than once, I thought, “I’ve been working on this for so long. I’ve been holding it together long enough. Surely I must be all done by now.” And then I watched in dismay as the pieces fall apart.

I am not alone. The instructor noticed my frustration and met my eyes with a compassionate smile. I pushed away from the table, nourished myself with some water and a snack, and stepped outside into the sunlight. I then returned to my work, refreshed and calm. My guide, my ally in rebuilding, was there when I needed her. I could ask for help.

Healing is not linear. Time and time again, as I glued my bowl together, I thought “OK, that part’s finished, time to move on to the next.” But the bowl seemed to have other ideas. Although I had to go back several times and re-glue the same parts, each time I had a little more insight into how to go about it.

To compare is to despair. I attended this class with several other therapists interested in helping to heal trauma through Kintsugi. We all took turns watching one another shatter our pottery with one fell swoop of the hammer. Then we sat around a large table and individually got to work on putting the pieces back together. The instructor gave us lots of time. As we quietly worked alone – yet in the presence of others – I noticed that the person next to me was “doing much better” than I was. While my bowl had fractured into a dozen messy shards, hers had split neatly into three large pieces. “Not fair!” I thought. Finally I chuckled to myself as I realized. Of course it’s not fair. We live in an unjust world. Something shifted and loosened inside me as I let go of comparing my progress to my neighbor’s.

Radical Acceptance. Before smashing my bowl, I wrapped it in a large towel so that no broken piece would escape. Likewise in emotional healing, it’s important to locate and acknowledge any buried wounds or traumatic events. To truly heal, we must identify all the hidden pieces that we can.

Post-traumatic Integration. The defining characteristic of Kintsugi is the final application of brilliant gold dust over the raw lacquer seams. The cracks are not merely repaired; they are magnified and celebrated. As I completed my repair and admired my beautiful bowl, I was reminded of a recurring theme in therapy: to be stronger in the broken places. As Ernest Hemingway wrote in A Farewell to Arms, “The world breaks everyone and afterward many are strong at the broken places.” This major theme also emerged in my doctoral dissertation about survivors of sexual assault who become rape crisis counselors. All the participants spoke in one way or another about transforming brokenness into something beautifully meaningful. Some version of this theme frequently arises in my therapy office.

Ultimately, the enduring art of Kintsugi leaves us with a beautiful, liberating realization: When we look closely at our emotional scars, we can view them through the lens of the master artisan. They are our golden seams – proof that we have been altered AND we are whole.

Resources:

Chödrön, P. (2016). When things fall apart: Heart advice for difficult times. Shambhala Publications.

Cleland, M. (1980). Strong at the broken places: A personal story. Chosen Books Publishing Company.

Lesser, E. (2004). Broken open: How difficult times can help us grow. Penguin Random House.

Smith, L.A. (1997). From survival to advocacy: Survivors of sexual assault who become rape crisis counselors. Georgia State University.

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